This article is written from the perspective of a post-production professional analyzing the update in retrospect, or as a detailed guide for editors still operating on legacy systems (often forced by plugin or OS compatibility).
Adobe finally allowed native editing of ProRes RAW (from Atomos recorders and Canon C500) without transcoding to Cinema DNG.
This article is written from the perspective of a post-production professional analyzing the update in retrospect, or as a detailed guide for editors still operating on legacy systems (often forced by plugin or OS compatibility).
Adobe finally allowed native editing of ProRes RAW (from Atomos recorders and Canon C500) without transcoding to Cinema DNG. adobe premiere pro 15 update