David Bowie’s Low: The 2017 Remaster in 24-bit/192kHz FLAC
When David Bowie decamped to West Berlin in the late 1970s, he wasn't just looking for sobriety; he was looking for a new musical language. The result was Low (1977), an album that shattered pop conventions and remains a high-water mark for avant-garde rock. For audiophiles, the 2017 Remaster (FLAC 24-bit/192kHz) represents the definitive way to experience this sonic masterpiece. The Context: A Sonic Rebirth
Recorded primarily at Château d'Hérouville in France and finished at Hansa Studios in Berlin, Low was the first installment of the "Berlin Trilogy." Produced by Bowie and Tony Visconti, with significant contributions from Brian Eno, the album is famously split into two halves: fragmented, art-rock songs on Side A and sprawling, ambient instrumentals on Side B. Why the 24-bit/192kHz FLAC Matters
While Low has seen numerous reissues, the 2017 remaster (originally part of the A New Career in a New Town (1977–1982) box set) is specifically engineered to capture the nuance of Visconti’s original production.
In a high-resolution 24/192 FLAC format, the listening experience changes significantly:
The "Snare" Sound: Perhaps the most famous element of Low is the revolutionary pitch-shifted snare drum. In 24-bit depth, the aggressive, mechanical "thwack" of the Eventide H910 Harmonizer has more physical weight and a cleaner decay.
Layered Synthesis: Brian Eno’s EMS VCS 3 synthesizer work on tracks like "Warszawa" creates a dense wall of sound. The 192kHz sampling rate provides the "air" and separation needed to hear the individual oscillators vibrating against one another.
Vocal Intimacy: On Side A tracks like "Sound and Vision" and "Be My Wife," the high-resolution format reveals the dry, immediate texture of Bowie’s vocals, making the performance feel more present in the room. Side A: The Art-Rock Fragment
The high-resolution remaster breathes new life into the shorter, punchier tracks. The jagged guitar lines of Carlos Alomar and George Murray’s driving bass are rendered with clinical precision. The 2017 remaster successfully balances the "coldness" of the original recording with a modern clarity that doesn't feel overly compressed. Side B: The Ambient Immersion
It is on the second half of the album—the instrumental soundscapes—where the FLAC 24-192 file truly shines. "Art Decade" and "Weeping Wall" rely on subtle shifts in timbre and volume. The high dynamic range of 24-bit audio ensures that the quietest synth swells are audible without the "hiss" often found on older digital transfers. Final Verdict
For fans of David Bowie, Low is more than an album; it is a mood and a monument. The 2017 Remaster in FLAC 24-bit/192kHz is the closest one can get to hearing the master tapes in the studio. It preserves the alienation, the innovation, and the sheer beauty of Bowie’s most daring era with unparalleled fidelity.
The 2017 remaster of , released as part of the A New Career in a New Town
box set, is a polarizing piece of high-resolution audio. While the 24-bit/192kHz FLAC download from Qobuz
offers immense detail, it has sparked significant debate among audiophiles regarding its "bass-heavy" tonal balance. 🔊 Sound Quality & Mastering The 2017 remaster was overseen by Tony Visconti
, Bowie’s longtime producer, aiming for a modern, "weighty" feel. Metacritic The Bass "Problem":
Many listeners find this version significantly more bass-heavy than previous editions. On Side A tracks like "Speed of Life,"
the low end is boosted to the point where some feel it obscures the jagged guitar textures.
Critics have described it as "overcooked" or even "fatiguing" compared to the leaner, more transparent original 1977 UK pressings. Dynamic Range:
Purists often argue this version is more compressed (part of the "loudness wars"), sacrificing the airy, three-dimensional space found in older masters.
On the positive side, the high-resolution transfer (24/192) reveals micro-details—like the gated reverb on the snare and subtle synth layers—that were previously buried. 🎨 Artistic Impact remains a cornerstone of the "Berlin Trilogy,"
capturing Bowie’s transition from cocaine-fueled paranoia in L.A. to experimental recovery in Germany. Metacritic
The 2017 remaster of David Bowie's Low is a high-resolution reissue included in the box set A New Career in a New Town (1977–1982). The FLAC 24-bit/192kHz version offers the highest available digital fidelity, sourced from original analogue masters. Key Technical Features
Source Fidelity: Features high-resolution digital transfers from original analogue master tapes, overseen by original producer Tony Visconti.
No De-noising: Unlike previous remasters, this version intentionally avoids de-noising to preserve the original tape hiss and sonic character heard during the 1977 sessions.
Enhanced Low-End: Tony Visconti specifically noted that modern digital capabilities allowed him to restore the "bottom end" (bass) that was previously restricted by vinyl technology in the 1970s.
Audiophile Formats: Available in multiple high-definition formats, including FLAC, AIFF, and MQA at both 96kHz and 192kHz. Tracklist & Production
The album maintains its legendary "yin-yang" structure: Side one features avant-pop song fragments, while Side two consists of atmospheric ambient instrumentals. Track Name Speed Of Life Instrumental opener with a rapid fade-in Breaking Glass Short song-fragment with only six lines of lyrics What In The World Features backing vocals by Iggy Pop Sound And Vision Bowie's vocals don't appear for the first 90 seconds Always Crashing In The Same Car A metaphor for repeating life mistakes Be My Wife Anguished lyrics over a "bar-room" piano A New Career In A New Town Instrumental transitioning to his life in Berlin Warszawa Haunting ambient piece mostly composed by Brian Eno Art Decade Melancholic impression of West Berlin Weeping Wall Bowie played every instrument on this track Subterraneans Portrait of East Berlin after the separation
This 2017 version is widely available on high-res platforms like Qobuz and ProStudioMasters. A NEW CAREER IN A NEW TOWN (1977 – 1982) - David Bowie
A FLAC 24-192 album runs about 1.5GB to 2.5GB. Low is only 38 minutes long, so the file size is roughly 1.8GB. For the average smartphone user: overkill. For the serious listener with a 2TB drive: essential.
The David Bowie - Low -2017- -FLAC 24-192- file is not just a nostalgia trip. It is a forensic audio document. It captures a moment in 1977 when Bowie was barely sane, surrounded by broken gear in a rented chateau, inventing the future. The high resolution allows you to hear the electricity in the transformers, the decay of the piano strings, and the emptiness of Berlin.
In an era of lossy streaming, owning this file is an act of reverence. Crank "Breaking Glass" until your woofers shake. Drift away to "Subterraneans." This is David Bowie at his most broken and most beautiful—digitized perfectly. David Bowie - Low -2017- -FLAC 24-192-
Search Suggestion: If you are a collector, pair this album with "Heroes" (2017 24-192) and The Idiot (2017 24-192) for the complete Berlin triptych experience.
Disclaimer: Always support the estate of David Bowie by purchasing official high-resolution downloads. The sonic characteristics described assume a high-fidelity playback system.
The 2017 remaster of David Bowie’s Low, particularly in its high-resolution 24-bit/192kHz FLAC format, represents a significant restoration of one of rock’s most experimental milestones. Originally released in 1977, Low was the first installment of the "Berlin Trilogy"—a period of radical reinvention alongside Brian Eno and producer Tony Visconti. Historical and Creative Context 40 Years On: David Bowie's Low Revisited | The Quietus
The David Bowie - Low (2017 Remaster) in high-resolution FLAC 24-bit/192kHz format is a high-fidelity digital transfer derived from the original analog master tapes. Released as part of the A New Career in a New Town (1977–1982) box set, this version has sparked significant debate among audiophiles regarding its tonal balance and dynamic range. Technical Profile & Source Format: FLAC (Free Lossless Audio Codec). Resolution: 24-bit depth with a 192kHz sampling rate.
Mastering Source: High-resolution digital transfers of material originating from the original analogue master sources. Label: Parlophone. Audio Performance & Critical Reception
The 2017 remaster is noted for a distinct shift in sound signature compared to previous digital versions like the 1991 Rykodisc or 1999 EMI remasters.
Increased Low-End: Many listeners note that this version is significantly more bass-heavy. While some argue this reflects producer Tony Visconti’s original intent for a "thick" sound, others find it overpowers the mix, especially on tracks like "Speed of Life".
Muffled Treble: Critics often point out a reduction in high-end frequencies, describing the sound as "muffled" or "dampened" compared to the brighter 1999 remasters.
Compression: Some audiophile reviews suggest the 2017 version suffers from higher levels of digital compression, which can lead to a "flat" or "one-layered" soundstage that lacks the "transient snap" of original RCA vinyl pressings.
Detail vs. Polish: While the 24/192 resolution offers "airiness" and captures intricate studio details, some find the overall EQ choices to be "muddy" or "unlistenable" on certain setups. Tracklist (2017 Remaster)
The Enduring Legacy of David Bowie's Low: A Sonic Masterpiece Reborn
In 1977, David Bowie released Low, a groundbreaking album that marked a bold new direction in his musical journey. Forty years later, in 2017, this iconic record was reissued in a stunning 24-bit/192kHz FLAC format, offering a fresh opportunity to experience its innovative soundscapes in unparalleled fidelity.
Low was a pioneering work, born out of Bowie's tumultuous personal life and a desire to experiment with new sonic textures. Produced by Tony Visconti and Bowie himself, the album featured a distinctive blend of electronic music, avant-garde sounds, and ambient textures. The result was an otherworldly, atmospheric record that defied conventions and captivated listeners.
The album's three tracks, "Speed of Life," "Breaking Glass," and "What in the World," showcased Bowie's fearless approach to music production. He incorporated dissonant synthesizers, eerie sound effects, and fragmented rhythms to create an unsettling yet mesmerizing listening experience. This was music that pushed boundaries, questioned traditional song structures, and looked to the future.
The 2017 reissue of Low on FLAC 24-192 format brings a new level of sonic clarity to this already visionary work. The increased resolution and sampling rate allow listeners to appreciate the intricate details of Bowie's sound design, from the faint hum of analog synthesizers to the crisply defined drum patterns. Every note, every texture, and every atmosphere is rendered with breathtaking precision, immersing the listener in the album's eerie, mechanized world.
This reissue also serves as a poignant reminder of Bowie's prophetic vision. In Low, he anticipated the electronic music revolutions of the 1980s and 1990s, influencing generations of musicians to come. Artists like Kraftwerk, Depeche Mode, and Aphex Twin have cited Bowie as an inspiration, and Low remains a touchstone for experimental electronic music.
The enduring legacy of Low extends beyond its sonic innovations. This album marked a turning point in Bowie's career, as he shed his glam rock persona and embarked on a bold exploration of art rock and avant-garde sounds. Low was the first installment in Bowie's Berlin Trilogy, a series of albums that would cement his status as a visionary artist and a master of reinvention.
In conclusion, the 2017 reissue of Low on FLAC 24-192 format offers a thrilling opportunity to rediscover David Bowie's groundbreaking album. This sonic masterpiece continues to inspire and influence musicians, producers, and listeners to this day. As a testament to Bowie's innovative spirit and artistic courage, Low remains an essential work, now available in a format that does justice to its original creative vision.
Sonic Architecture: Revisiting David Bowie’s ‘Low’ in 24-bit/192kHz
In the audiophile world, few artifacts are as scrutinized as the 2017 high-resolution remaster of David Bowie’s Low (2017 Remaster). Originally released in 1977 as the opening salvo of the "Berlin Trilogy," the album was a radical pivot from glam rock to avant-garde electronics and ambient soundscapes . Now available in a massive FLAC 24-bit/192kHz format, this version promises the ultimate fidelity for an album that Tony Visconti once said "fucks with the fabric of time" . The Technical Landscape
This remaster was a cornerstone of the A New Career in a New Town (1977–1982) box set released by Parlophone Records . Mastering at 192kHz offers a frequency range and dynamic ceiling far beyond standard CD quality, aiming to capture the "presence and immediacy" of the original studio sessions . Critical Listening: What’s Different?
The reception among enthusiasts and reviewers from Rolling Stone has been a mix of awe and debate:
Enhanced Low-End: Many listeners note that the 2017 files are noticeably bass-heavy, particularly on tracks like "Speed of Life" . While some find this "bloated," others appreciate the added weight to Dennis Davis’s iconic, pitch-shifted drum sound .
A "Smoother" Profile: Critics at The Skeptical Audiophile have pointed out that this version can feel "overly smoothed out" compared to original 1977 pressings, with some high-end treble reduced to create a warmer, if slightly more "muffled" signature .
The Second Side Immersion: Where the 24/192 format truly shines is on the ambient second side. The haunting orchestration of "Warszawa" benefits from the increased transparency, allowing you to hear deeper into the "air" and synthetic textures created by Brian Eno and Bowie . Is It the Definitive Version?
It sounds like you’re looking for a specific high-resolution audio release: David Bowie’s Low, from 2017, in FLAC format with 24-bit / 192 kHz resolution.
Here’s the context you need before searching:
If you’ve seen “Low - 2017 - FLAC 24-192” on forums or torrents, be aware that it’s often an unofficial upsampled version of the 24/96 master. For archiving or listening, the genuine 24/96 is the safer benchmark.
Would you like help verifying the spectral authenticity of a 24/192 file you already have, or are you looking for purchase links to the official high-res release?
Release Overview: David Bowie – Low (2017 Remaster) The 2017 high-resolution release of David Bowie's David Bowie’s Low : The 2017 Remaster in
is a cornerstone of the "Berlin Trilogy" reissues, originally part of the A New Career in a New Town (1977–1982)
box set. This specific FLAC 24-bit/192kHz version represents the highest fidelity available for this landmark 1977 album. ProStudioMasters Technical Specifications FLAC Lossless Sample Rate: Bit Depth:
High-resolution digital transfers from the original analogue master tapes. Mastering: Supervised by Tony Visconti (original producer) and Ray Staff at Air Studios. ProStudioMasters Audio Analysis & Profile
The 2017 remaster is characterized by a "modernized" sonic profile compared to previous versions like the 1991 Rykodisc reissues: Tonal Balance:
Generally warmer and smoother than previous digital iterations. Dynamic Range:
While utilizing high-bit-depth containers, some listeners note a "smoother" sound that can occasionally feel less "snappy" or gritty than original 1977 UK vinyl pressings. Notable Detail: The distinctive industrial drum sound, created using the Eventide H910 Harmonizer
, is rendered with significant clarity in this high-res transfer. Tracking Angle Track Listing (Total Runtime: ~38:59)
The album maintains its legendary split structure: Side A (tracks 1–7) features avant-pop song fragments, while Side B (tracks 8–11) consists of ambient, instrumental explorations. Apple Music Speed of Life Breaking Glass What in the World Sound and Vision Always Crashing in the Same Car Be My Wife A New Career in a New Town Art Decade Weeping Wall Subterraneans Critical Reception & Comparison Audiophile Consensus:
Highly praised for its transparency and for bringing the "Berlin Trilogy" into the high-res era, though some purists prefer the "vibrancy" of original analogue pressings over the "smoother" digital remaster.
remains widely acclaimed as one of Bowie's most influential works, blending electronic experimentation with neoclassical elements. of this 2017 remaster against the original 1977 RCA vinyl 1991 Rykodisc
"David Bowie - Low (2017 Remastered Edition) - FLAC 24/192: A Sonic Exploration of Berlin"
Feature:
The 2017 remastered edition of David Bowie's "Low" is a testament to the legendary artist's innovative spirit and his ability to push boundaries. Released in 1977, "Low" marked a pivotal moment in Bowie's career, as he shed his glam rock persona and embarked on a bold new path, inspired by the avant-garde and electronic music scenes of Berlin.
High-Resolution Audio
Presented in stunning 24-bit/192kHz FLAC format, this edition of "Low" offers an immersive listening experience that reveals the intricate textures and nuances of Bowie's groundbreaking production. From the atmospheric soundscapes of "Speed of Life" to the motorik beats of "Breaking Glass," every note and every nuance is rendered with crystal clarity.
Sonic Landscapes
The album's themes of dislocation and disorientation are reflected in the music, which conjures images of a city in flux. Tracks like "What in the World" and "Always Crashing in the Same Car" showcase Bowie's nascent interest in electronic music, with eerie synthesizers and driving rhythms that evoke the mechanized heartbeat of Berlin.
Track-by-Track Analysis
Technical Details
Listening Experience
Immerse yourself in the sonic world of "Low," where David Bowie's trailblazing spirit and innovative production techniques come together to create a timeless masterpiece. With this 2017 remastered edition, you'll experience the album in a way that's closer to the artist's original intent - a testament to Bowie's vision and enduring artistic legacy.
David Bowie’s Low, specifically the 2017 Remaster available in FLAC 24-bit/192kHz, represents the technical peak of one of music's most radical transformations. This version, part of the A New Career in a New Town (1977–1982) box set, offers an audiophile-grade window into Bowie’s psychological and artistic rebirth in Berlin. Historical Context: The Berlin Breakthrough
Released in 1977, Low was the first installment of Bowie’s "Berlin Trilogy". Moving to West Berlin with Brian Eno and Tony Visconti, Bowie sought to escape the drug-fueled "psychosis" of his Los Angeles years. The album famously split into two distinct halves:
Side One: Fragmented, avant-pop songs capturing Bowie's "prevailing moods" and personal struggle.
Side Two: Lengthy, atmospheric instrumentals inspired by his observations of the Cold War-era Berlin landscape. The 2017 Remaster & FLAC 24/192
The 2017 remastering process aimed to preserve the original’s raw, industrial texture while utilizing modern high-resolution capabilities. In 24-bit/192kHz FLAC format, the listening experience is significantly enhanced:
Dynamic Range: The high bit-depth allows for a much "darker background" and greater "image focus," essential for the album's subtle ambient passages.
Instrumental Clarity: The 192kHz sampling rate captures the nuanced "vocal parameters" and the iconic, "endlessly deep" drum sound Visconti achieved using the Eventide Harmonizer.
Texture: Listeners can hear the "fire and energy" of the analog synthesizers with a level of detail that mirrors the original studio tapes. Critical Legacy
Though initially confounding to critics who were used to his "theatrical" personas like Ziggy Stardust, Low is now considered a masterpiece of "nonconformity". It influenced genres from post-punk to industrial and electronic music. Peers like Mick Jagger praised Bowie as a "true original" who was "wonderfully shameless" in his experimentalism. Part 8: Final Verdict – Is It Worth the Storage Space
For fans and audiophiles, this high-resolution FLAC version is the definitive way to experience the album's "fourth dimension"—the spatial dynamics that make the music sound truly "natural" and immersive. High-resolution digital platforms like Qobuz and HDtracks provide access to these 24-bit versions for listeners seeking the highest possible fidelity.
2017 remaster of David Bowie's represents a definitive high-resolution presentation of the album, specifically mastered for the A New Career in a New Town (1977–1982) box set. Available as a 24-bit / 192kHz FLAC download, this version was overseen by longtime producer Tony Visconti Sonic Characteristics
The 24-192 FLAC format provides a significant technical upgrade intended to capture the nuances of the original analog master tapes. Enhanced Detail
: The high sample rate highlights the "Eno-fication" of the album—dense synthesizer layers and instrumental textures—with increased separation and clarity. Visualized Dynamic Range
: While the album is known for its experimental "Berlin" sound, the 2017 remaster aims for a more natural bottom end that Visconti felt was previously restricted by vinyl technology. Authenticity
: Unlike some previous remasters, this version avoided aggressive de-noising, allowing the natural hiss of the original tapes to remain for a more authentic listening experience. Key Technical Details Emotiva XDA-1 DAC review (AD1955) - Darko.Audio
Useful Story: The "Human Re-Edition"
In January 2017, on the 40th anniversary of David Bowie’s landmark album Low, Parlophone Records released a special box set that reignited a fierce debate among audiophiles, producers, and Bowie superfans. At the center of this debate was the 24-bit/192kHz FLAC transfer—a digital artifact that promised to bring the "Berlin Trilogy" into the modern high-resolution era.
This is the story of why that specific file format matters, and how it exposed a fascinating tension between technology and artistic intent.
David Bowie’s Low is not background music; it is a headspace. The 2017 remaster in 24-bit/192kHz FLAC is the first digital release that rivals—and arguably surpasses—the original German vinyl pressings. You finally hear the "hole" in the center of the mix. You hear Visconti’s gated reverb chambers. You hear the Berlin cold seeping through Hansa’s windows.
In an era of compressed Spotify streams, seeking out the David Bowie – Low – 2017 – FLAC 24-192 is an act of rebellion. It respects Bowie’s original vision of exquisite fragmentation. Turn off the lights, put on your best headphones, and let the "Warszawa" drone transport you.
Dynamic range, uncompromised. Tape hiss, preserved. Genius, unlocked.
Specs at a glance:
The keyword David Bowie - Low -2017- -FLAC 24-192- contains a technical promise that casual listeners might ignore. Let’s break it down:
Introduction David Bowie’s Low, originally released in January 1977 as the first of the Berlin Trilogy, underwent numerous reissues and remasterings; the 2017 high‑resolution FLAC 24‑bit/192 kHz transfer presents this landmark album with exceptional clarity and weight. Low stands as a crucial pivot in Bowie’s career: a rupture from glam and soul into fragmented, modernist experimentation that fused rock, electronic textures, and cinematic instrumentalism. The 2017 FLAC 24‑192 edition doesn’t change the music’s intent, but it alters how the listener perceives detail, space, and the album’s austere architecture.
Context and Significance Low emerged during a period of personal crisis and reinvention for Bowie. After years of rock stardom and heavy amphetamine use, he relocated to Europe and began collaborating with Brian Eno and producer Tony Visconti. The record’s split personality—vigorous, concise songs on side A and largely instrumental, ambient soundscapes on side B—reflects Bowie’s attempts to reconcile past forms with emergent electronic possibilities. Low influenced post‑punk, new wave, ambient, and electronic music. Its aesthetic of fragmentation, repetition, and atmosphere anticipated developments across late‑20th‑century music.
Production and Collaboration Recorded mainly at Château d’Hérouville and Hansa Tonstudio, Low’s sound grew from a sparse production aesthetic. Tony Visconti’s production choices—dry drum sounds, close mic’ing, inventive use of flanging and gated reverb—give the album an immediate, sometimes brittle presence. Brian Eno’s role, especially on the instrumentals, introduced tape loops, synth textures, and processing techniques that blurred lines between composition and sound design. The rhythm section (notably Carlos Alomar and Dennis Davis) maintains a lean, propulsive foundation while keyboards and treated guitars supply color and dislocation.
Musical and Structural Analysis
Lyrical Themes and Vocal Delivery Bowie’s lyrics on Low are often elliptical, fragmented, and self‑erasing—fit for a record preoccupied with dissolution and reinvention. Vocally, Bowie alternates between detached murmurs, clipped declarations, and moments of weary melodic expression. This restraint reinforces the album’s emotional austerity; when melody surfaces, it feels precarious and significant.
The 2017 FLAC 24‑192 Listening Experience High‑resolution mastering at 24‑bit/192 kHz emphasizes microdynamics and expands the perceived soundstage. On this edition:
Cultural and Critical Reception At release, Low confused some critics and fans but was lauded by others for its adventurousness. Over subsequent decades, it has been reappraised as one of Bowie’s most important works—particularly influential on post‑punk bands and ambient/electronic artists. The 2017 remaster contributed to renewed listening by presenting sonic detail that highlights the album’s production innovations.
Legacy and Influence Low’s crossbreeding of rock songcraft with ambient instrumentalism reshaped expectations for pop music’s boundaries. Its austerity and embrace of fragmentation echo in later movements: Joy Division’s stark post‑punk, the atmospheric textures of electronic and ambient producers, and even contemporary indie acts that favor mood over spectacle.
Conclusion Low remains a study in controlled deconstruction: songs stripped to essential gestures, instrumentals that treat silence as a compositional tool, and production that foregrounds texture and space. The 2017 FLAC 24‑192 edition doesn’t rewrite the album’s meanings but offers a clearer window into its sonic architecture, rewarding attentive listening by revealing subtle production choices, ambient detail, and the fragile human center beneath the record’s cool surface.
Suggested listening notes (one‑paragraph guide) Start in headphones with “Sound and Vision” to hear the refined top end and vocal intimacy, then listen to the progression from the jagged pop of side A into “Warszawa,” using the high‑res transfer to focus on low‑level textures—synth drones, tape wash, and spatial depth—so you can appreciate how the instrumentals reframe Bowie's songwriting as sculpted environments rather than conventional songs.
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(2017 Remaster) David Bowie FLAC 24-bit / 192kHz (High-Resolution Audio) Experience David Bowie’s 1977 masterpiece,
, in its most pristine digital form. This 2017 remaster, originally part of the A New Career in a New Town (1977–1982) box set, is available as a high-resolution 24-bit/192kHz PCM download Why Listen to This Remaster? Unrivaled Clarity:
The 24-192 FLAC format captures the intricate nuances of the Eventide H910 Harmonizer
used by producer Tony Visconti to create the album's legendary, pitch-shifted drum sound. The "Berlin Trilogy" Genesis: Revisit the first of Bowie’s collaborations with Brian Eno and Tony Visconti
, featuring the jagged avant-pop of "Sound and Vision" and the haunting, ambient soundscapes of "Warszawa". Audiophile Standard:
Transferred from the original analogue master sources, this version provides the depth and separation required to appreciate the synths and deep bass that defined 1970s art rock. Speed of Life Breaking Glass What in the World Sound and Vision Always Crashing in the Same Car Be My Wife A New Career in a New Town Art Decade Weeping Wall Subterraneans You can find the high-resolution digital version at ProStudioMasters or the physical 2017 remaster on vinyl and CD at Rhino Records Berlin Trilogy