Contents

Top
Command Line Options
Keyboard Shortcuts
Configuration File
Main Window Settings
Wrap Settings
Export Settings
Auto Probe Settings
General Settings

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G-Code Ripper Home Download Scorch Works Home

Command Line Options

Usage python g-code_ripper-XXX.py [-g file ]
or
g-code_ripper-XXX.py [-g file ]
-c
(or --config_file)
Configuration file to read
-g
(or --gcode_file)
g-code file to read
-d
(or --defdir)
Default open/save directory
-h
(or --help)
print syntax help to console window.
Example
(Using python script with
preinstalled python distribution)
python g-code_ripper-XXX.py -g my_file.ngc
Example
(Using precompiled
Windows executable)
g-code_ripper-XXX.exe -g my_file.ngc

Keyboard Shortcuts

F1 Open the Help dialog box. (There is nothing in the help except a reference back to the web page and my e-mail address)
F2 Opens General Settings Window
F5 Refresh display

Configuration File

g-code-ripper_config.ngc
or
.gcoderipperrc
When G-Code Ripper starts up the directory in which G-Code Ripper starts in is searched for a file named "g-code-ripper_config.ngc". If the file is found it is read and all of the G-Code Ripper options are set according to the settings saved in the config file. After searching for the config file in the current directory the users home directory is searched for "g-code-ripper_config.ngc" or ".gcoderipperrc" if either of these are found it will be used as the default settings. Only the first config file found is read.

To create a config file with your preferred options for startup just open G-Code Ripper and change the settings to your liking and click the save button next to configuration file in the settings window.

Main Window

G-Code Ripper - Main Window

G-Code Base Operations: This section contains basic operations that are performed prior to any G-Code Operations selected below. The base operations are always applied before the additional operations.
Scale XY Sets the scaling percentage for X and Y axes to be applied to the input g-code file.
Scale Z Sets the scaling percentage for Z axis to be applied to the input g-code file.
Scale Feed Sets the scaling percentage for feed rate to be applied to the input g-code file.
Rotate Sets the angle in degrees to rotate input g-code file.
Origin The origin determines the relative location of the g-code x and y zero location. The current location of the origin is displayed in the display window as a red and green lines. The red and green lines follow the RGB convention Red is the x-axis, Green in the y-axis.
Save G-Code File Base (Button) This button results in saving the g-code with only the option above the button being applied (scale, rotate, origin). Any further options from below or on the right side of the image are not applied.
View Plane: This section contains a variety of view plane orientations only one of the options is active at any time.
G-Code Operations: In this section the additional operations that can be applied to the g-code can be selected.
None No operations are performed in addition to the base operations.
Split The G-Code is split along a line creating two g-code programs that can be run independently.
Wrap One of the G-Code linear axes (X or Y) is mapped to a rotary axis (A or B) for machining on a cylinder.

G-Code Split Properties

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Input Field Description
Split X Position X position of the splitting line. (i.e. the line on which the g-code is divided into two parts.) The X position is measured from the origin set in the base operations section.
Split Y Position Y position of the splitting line. (i.e. the line on which the g-code is divided into two parts.) The Y position is measured from the origin set in the base operations section.
Split Angle The angle of the splitting line.
Rotate Black The rotate black setting determines whether one of the two sides of the split will be rotated by 180 degrees. Rotating 180 degrees allows the stock to be rotated 180 degrees in the machine to machine the second half. Doing this process can effectively increase size of designs that can be cut by a given machine.
Save G-Code File-Black (Button) This button saves the g-code displayed as black in the canvas.
Save G-Code File-White (Button) This button saves the g-code displayed as white in the canvas.
Plunge Feed Because the g-code is being split additional cut starts and stops are required. During the additional starts the tool needs to plunge into the stock material. The plunge feed sets the feed rate for these new moves into the stock material.
Z Safe Because the g-code is being split additional cut starts and stops are required. After one of the additional cut stops the tool needs to move to a safe position for rapid movement. The Z Safe setting sets the z position of this z location that is safe for rapid motions.

Wrap Settings

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Input Field Description
Wrap Diameter The wrap diameter is the diameter of the cylinder which the g-code will be mapped to.
Y-Axis to A-Axis Map the Y axis positions to the A-Axis
X-Axis to B-Axis Map the X axis positions to the B-Axis
Y-Axis to B-Axis Map the Y axis positions to the B-Axis
X-Axis to A-Axis Map the X axis positions to the A-Axis
Feed Adjust

How feed rates work in Mach2 and LinuxCNC (and others?):

For linear motion (i.e. x,y and/or z motion):
each axis moves at constant speed and all axes move from their starting positions to their end positions at the same time.
For linear motion with rotation (i.e. x,y and/or z motion AND a and/or b motion):
When a rotary axis is included in the movement (i.e. ther is x,y,z motion AND a or b motion) the speed is still controlled by the linear distance to be traveled in x,y,z the A,B motion has no effect on the time to complete the motion.
For Rotary motion (i.e. a and/or b motion without any x,y and/or z motion):
When there is no linear motion the feed rate is interpreted as a angular rate (degrees/min)

Feed Adjust Settings:

Feed Adjust: Scale-Rotary
G-Code Ripper takes all of these scenarios into account and adjusts the feed rate accordingly to make the feed rate consistent when cutting on a cylinder.

Feed Adjust: None
G-Code ripper does not scale feeds in any way. (This is the same a CNCwrapper output)

A note for Mach3 users:
In Mach3 there is a entry (Under Settings (Alt-6)) to set the Rotation Radius using this setting will tell Mach3 how to interpret the feed rates for code mapped to a cylinder of that radius. If you use the Rotation radius you will want to select None for the Feed adjust setting in G-Code Ripper.
Reverse Rotary Axis G-Code Ripper assumes that a positive linear position is always mapped to a positive angular position. If your rotary axis (A or B) is set up such that the positive linear position should be mapped to a negative angular position check this box.
Save G-Code File-Wrap (Button) This button saves the wrapped g-code.
Stock Rounding (Button) This button opens the Stock Rounding window. In the stock rounding window you can generate g-code for making the stock material round using a spiral cut.

Export (DXF, CSV) Settings

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Input Field Description
Include Rapid Moves If selected the rapid moves will be included in the exported output.
File Type Select the type of file to be exported

Auto Probe Settings

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Input Field Description
Probe X Offset X distance from the tool to the probe.
(if the tool is the probe this should be set to zero)
Probe Y Offset Y distance from the tool to the probe.
(if the tool is the probe this should be set to zero)
Probe Z Offset Z distance from the tool to the probe.
(if the tool is the probe this should be set to zero)
(It is best to keep this value as close to zero as possible to prevent crashing the tool or probe)
Probe Z Safe This is the safe Z height when probing (When the probe is over the work piece).
Be aware of where the tool will be when the probe is at this position to avoid cashing the tool.
Probe Depth Max Depth the probe will travel attempting to detect the work piece.
If the probe travels to this position and does not detect the part an error will occur.
Probe Feed The feed rate for the probe when it is lowering to detect the part.
X Points This is the number of points that form the grid of probe points in the X direction.
Points that are not needed (too far from tool path) are displayed as black in the preview canvas and will not probed.
Y Points This is the number of points that form the grid of probe points in the Y direction.
Points that are not needed (too far from tool path) are displayed as black in the preview canvas and will not probed.
Post Probe This is a text entry field for any G-Codes that should be executed prior to the pause between probing and cutting.
(If you want to swap the probe head for the tool head you may want to raise to a specified Z height (i.e. G0Z5.0)
Controller Set the CNC controller to be used. LinuxCNC and MACH3 are supported. They require different codes for probing etc.

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Title: Exploring the King of Monsters: A Look at Godzilla 1998 and Its Remastered BluRay Version

Understanding the File

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Movie Details

The Remastered BluRay: What’s New?

The remastered BluRay version of Godzilla 1998 offers more than just an updated format. This version provides a significantly enhanced viewing experience:

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Godzilla (1998) stands as one of the most polarizing yet visually ambitious spectacles of the late 90s. Directed by Roland Emmerich, this reimagining of the iconic Toho kaiju brought the monster to the streets of Manhattan with groundbreaking digital effects for its time. For cinephiles and home theater enthusiasts, the "Godzilla 1998 BluRay REMASTERED 1080p" release represents the definitive way to experience this creature feature, offering a significant leap in visual fidelity and audio depth over previous home media versions.

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The 1080p remastering process involves more than just a resolution bump. Fans can expect several key improvements in this version:

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When looking for the Godzilla 1998 BluRay REMASTERED 1080p, the technical specs typically include a high bitrate transfer that prevents "crushing" in dark scenes. This is particularly important for this film, as roughly 80% of the action takes place at night or during heavy rainfall. The high-definition 1080p resolution ensures that the CGI, which was cutting-edge in 1998, blends more seamlessly with the practical sets than it did on standard DVD releases. Why Godzilla 1998 Remains a Cult Favorite

Despite the "Zilla" nickname and the initial backlash from purists, the film has found a dedicated following. It functions as a high-octane disaster movie that bridges the gap between classic monster movies and modern blockbuster pacing. The 1080p remaster allows a new generation to appreciate the film's unique energy, from the suspenseful "fishing" scene at the docks to the high-speed taxi chase through the Holland Tunnel. Title: Exploring the King of Monsters: A Look

For those looking to complete their kaiju collection, the remastered BluRay is an essential acquisition. It highlights the scale of the production and provides a nostalgic trip back to the era of practical-digital hybrid filmmaking.

If you'd like to dive deeper into the technical specs of this release or compare it to the 4K Ultra HD version, let me know.

Godzilla (1998) Blu-ray (Mastered in 4K) is a significant technical step up from previous home video releases, offering a "great 1080p" experience that serves as a high-quality alternative to the 4K Ultra HD disc. While the film itself remains a polarizing "guilty pleasure" for many, this specific remastered edition focuses on squeezing the maximum possible detail out of the 1080p format. Technical Performance

: Sourced from a 4K Digital Intermediate, this 1080p transfer features cleaner edges and more defined detail in CG imagery, buildings, and backgrounds compared to the standard Blu-ray. Because it is shot on 35mm film, you should expect a consistent layer of fine film grain. : The release typically features a powerful DTS-HD Master Audio 5.1

track. While it lacks the overhead "height" effects of the 4K version's Dolby Atmos mix, it still provides an immersive surround experience with aggressive low-frequency effects (LFE) during Godzilla’s rampages through Manhattan. Low-Light Handling

: As the majority of the film takes place at night or in heavy rain, this remaster manages deep black levels well, though some "crush" (loss of detail in the darkest areas) is still present due to the original cinematography. Movie Content & Consensus Godzilla (1998) [Blu-ray] - Amazon UK

The Scale of Spectacle: Reevaluating Godzilla (1998) in the Remastered Era When Roland Emmerich’s Movie : Godzilla (1998) Quality : BluRay REMASTERED

stomped into theaters in 1998, it was met with a tidal wave of backlash. Purists criticized the radical redesign of the titular kaiju, while critics found the plot thin. However, decades later, the film’s "Blu-ray Remastered" and 4K UHD re-releases have offered a new lens through which to view this misunderstood blockbusters. In high definition, the film reveals itself not as a failure of the franchise, but as a pinnacle of late-90s practical and digital effects integration.

The 1080p and 4K remasters bring a surprising amount of detail to the rain-soaked, neon-lit streets of New York City. At the time, the film was a massive gamble on CGI, and while some effects have aged, the remastered clarity highlights the ambitious scale of the production. The high bitrate of a Blu-ray allows viewers to appreciate the texture of "Zilla’s" skin and the intricate miniature work used for the city’s destruction—details that were often lost on grainy VHS tapes or early DVD transfers.

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. While it may not capture the radioactive soul of the 1954 Japanese original, the remastered versions prove that as a standalone action spectacle, it is incredibly well-paced. The "Godzilla" of 1998 remains a fascinating time capsule of pre-9/11 New York, a city that, through the power of high-definition restoration, remains as vivid and cinematic as ever.

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Alternatives

Video Quality: Why This Transfer Changes Everything

If you remember watching Godzilla on VHS or standard DVD, you likely thought the CGI looked dated. That was a limitation of the medium, not the movie.

The Godzilla 1998 BluRay REMASTERED 1080p transfer reveals details Patrick Tatopoulos’ design team intended but previously hidden:

Technical Specifications for the File

If you are looking for a legitimate digital backup of your purchased disc, here are the standard specifications for this release:

| Specification | Details | | :--- | :--- | | Resolution | 1920x1080 (Native) | | Aspect Ratio | 2.39:1 (Original Theatrical Scope) | | Video Codec | AVC or H.264 (High@L4.1) | | Audio Codec | DTS-HD MA 5.1 / Dolby Digital 5.1 | | Runtime | 139 Minutes (Uncut) | | Source | 2023/2024 Sony Pictures Re-master |