The film Immoral Tales (French: Contes immoraux), released in 1973, is an erotic anthology directed by Walerian Borowczyk. It is composed of four distinct stories that explore various sexual taboos throughout different historical periods. Film Summary and Structure
The movie progresses backward through time, with each segment delving into a different historical era and theme:
The Tide (La Marée): Set in the present day, it follows a young man and his teenage cousin who find themselves stranded on a beach as the tide comes in.
Thérèse Philosophe: Set in the 19th century, this segment depicts a young woman locked in her bedroom where she explores her sexual desires through her imagination and nearby objects.
Erzsébet Báthory: This 16th-century tale focuses on the infamous Hungarian Countess, played by Paloma Picasso, who reportedly murdered virgins to bathe in their blood to maintain her youth.
Lucrezia Borgia: Set in the 15th century, the final segment depicts an incestuous orgy involving the daughter of Pope Alexander VI and her family members. Production and Reception
Original Cut: A fifth segment, titled The Beast (La Bête), was originally included but was later removed from most versions and released as its own feature film in 1975.
Critical Views: The film is often described as "art-house pornography," praised by some for its lush cinematography and surrealist style while criticized by others for being slow-paced or excessively explicit.
Box Office: It was a major commercial success in France, selling over 350,000 tickets upon release. Availability Immoral Tales (1973) - IMDb
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Immoral Tales (1973): A Provocative Journey Through History and Desire
Released in 1973 (and screening widely by 1974), Immoral Tales (original French title: Contes immoraux) remains one of the most polarizing and visually striking entries in erotic cinema. Directed by the controversial Polish filmmaker Walerian Borowczyk, the film is an anthology that weaves together four distinct vignettes—originally conceived as six—exploring themes of sexual awakening, taboo, and the corruption of power across different historical eras. The Structure of the Anthology
The film is structured as a series of stories that move backward through time, exploring how different societies and eras have perceived desire and morality. Each segment is noted for its distinct visual style and attention to historical detail.
The Tide: This contemporary story focuses on the interaction between two cousins at the coast. It is often cited for its use of the natural landscape and the rhythmic movement of the ocean as a metaphor for human tension.
Thérèse the Philosopher: Set in the 18th century, this vignette explores the inner world of a young woman confined to a room. It blends elements of religious iconography with the awakening of personal curiosity.
Erzsébet Báthory: Featuring Paloma Picasso in a rare acting role, this segment delves into the dark legend of the Hungarian countess. Borowczyk uses this historical backdrop to explore themes of vanity and the obsession with eternal youth.
Lucrezia Borgia: The final tale focuses on the Renaissance and the powerful Borgia family. It examines the intersection of political influence and personal indulgence within the Vatican of the 15th century. Cinematic Style and Impact
Walerian Borowczyk was originally an animator and fine artist, which heavily influenced the aesthetic of the film. Critics often point to his obsession with historical artifacts, textures, and period-accurate set designs. While the film was controversial for its explicit content, it is also studied for its surrealist roots and its critique of institutional corruption.
The film serves as a transition point in Borowczyk's career, moving from his early experimental animations toward more provocative feature-length narratives. One of the segments intended for this film was eventually expanded into a separate standalone feature, reflecting the director's expansive approach to storytelling.
Today, the film is primarily viewed within the context of European art-house cinema and the history of the avant-garde. It remains a significant example of how filmmakers in the 1970s challenged censorship and traditional narrative structures.
Walerian Borowczyk’s Immoral Tales Contes immoraux ), released in 1973, is a seminal work of European erotic art cinema. Structured as a portmanteau film, it consists of four distinct vignettes that explore transgressive desires, sexual taboos, and the historical intersection of pleasure and power. Narrative Structure and Themes The film Immoral Tales (French: Contes immoraux ),
The film is divided into four stories, each set in a different historical era and focused on a specific "immoral" act: The Tide (La Marée):
Set in the present day, it follows a young man who takes his cousin to a secluded beach to perform fellatio, timing the act with the rhythm of the incoming tide. Thérèse Philosophe:
Set in the 19th century, it depicts a young girl locked in her room who explores her own body and erotic fantasies using everyday objects while contemplating her religious devotion. Elizabeth Báthory:
Features Paloma Picasso as the infamous "Blood Countess" who murders young virgins to bathe in their blood, believing it will grant her eternal youth. Lucrezia Borgia:
Depicts the daughter of Pope Alexander VI engaging in incestuous acts with her father and brother in the 15th century. Cinematic Style and Artistry
Borowczyk, originally an animator, applies a "painterly precision" to the film's visuals. The cinematography is noted for its meticulous composition and focus on texture—lingering on skin, fabric, and religious iconography. This aesthetic turns the human body into a symbol, creating a "cinematic cathedral" that explores the moral contradictions of civilization. Reviewers often distinguish it from standard pornography due to its detached, clinical camera gaze and intellectual subtext. Reception and Historical Context At the time of its release, Immoral Tales
was both celebrated and censored for its explicit content. It won the Prix de l’Âge d’Or
in 1974, an award honoring the spirit of surrealism. While some contemporary critics found the pacing slow or the material repetitive, the film was a significant box-office success in France, selling over 350,000 tickets. It remains a landmark for its bold attempt to blend high-art sensibilities with softcore eroticism. A fifth story, The Beast of Gévaudan
, was originally intended for the anthology but was eventually expanded into Borowczyk’s standalone 1975 feature, Immoral Tales
is viewed as a key example of the "liberated" cinema of the 1970s, challenging traditional boundaries of beauty and virtue. breakdown of the themes in the Elizabeth Báthory segment, or perhaps an analysis of its cinematography
The film you're referring to is Immoral Tales (originally titled Contes immoraux), a 1973 French anthology film directed by Walerian Borowczyk.
The film is an anthology composed of four stories that explore various erotic and transgressive themes across different historical periods. It is known for its "painterly" cinematography and its exploration of historical figures and philosophical ideas through a provocative lens. Structure and Themes
Each segment of the film takes place in a different era, ranging from the 15th century to the modern day. The film features notable performances, including an appearance by Paloma Picasso. It is often discussed in the context of European art cinema for its high production values and its controversial approach to sexuality and historical narrative. Viewing and Availability What Doesn’t
The film is noted for its explicit content and artistic direction. It is available through various official channels:
Streaming: Immoral Tales can be found on specialized platforms such as Kanopy (often accessible via public or university libraries) or Mubi.
Physical Media: Remastered versions are available on Blu-ray and DVD through major retailers.
Subtitles: English subtitled versions are typically included in official DVD and Blu-ray releases and on legal streaming services.
Immoral Tales (French: Contes immoraux), released in 1973, is a provocative anthology film directed by Walerian Borowczyk. It is widely recognized for blurring the lines between art-house cinema and softcore erotica, exploring various sexual taboos across different historical eras. Core Movie Details Director: Walerian Borowczyk. Genre: Drama, Romance, Erotic Anthology.
Cast: Features Fabrice Luchini, Lise Danvers, Charlotte Alexandra, and Paloma Picasso (the daughter of Pablo Picasso) in her only film role.
Format: The film is divided into four (sometimes five in extended cuts) independent stories. The Four Main Tales
Each segment moves backward in time, suggesting that "immoral" desires have been a constant throughout human history: Immoral Tales (1973)
If you’ve stumbled upon the search phrase "fylm immoral tales 1973 mtrjm kaml may syma may syma 1 top", you’re likely looking for the cult classic Immoral Tales (Contes immoraux) from 1973, directed by Walerian Borowczyk. The additional words translate roughly to “movie Immoral Tales 1973 fully translated/available on MyCima – top quality” (MyCima being a popular Arabic streaming platform).
This article provides everything you need: the film’s historical context, a breakdown of its four erotic episodes, its legacy, and guidance on finding a fully translated version legally.
If you find the “fully translated” version, here’s what to expect:
The strange search string "fylm immoral tales 1973 mtrjm kaml may syma" is a perfect metaphor for the film itself: fragmented, mysterious, and slightly broken by time. Immoral Tales is not a film for everyone. It is slow, pretentious, and explicit. But for those who appreciate cinema as an art form that pushes the boundaries of decency and beauty, Borowczyk’s 1973 masterpiece remains, without question, the top 1 of its bizarre genre.
Have you seen Immoral Tales? Is the mirror scene truly the best, or do you prefer the Thérèse episode? Let us know in the comments below.
Here is the information regarding the film Contes immoraux (1974).