I 1st Studio Siberian Mouse: The Unlikely Alliance of Masha Kozlov and Veronika Babko
A deep‑dive into the origins, aesthetics, and cultural reverberations of the most talked‑about independent art collective of the 2020s.
Contact the authors directly – many Russian scientists are happy to email a PDF if you ask politely.
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The story begins in the winter of 2015, when Masha and Veronika were both enrolled in the Institute of Contemporary Art (ICA) Moscow's joint program for “Cross‑Border Visual Practices.” Their first collaborative experiment was a series of zines titled Mice in the Snow that juxtaposed Masha’s hand‑drawn Siberian creatures with Veronika’s grainy black‑and‑white photographs of abandoned Soviet housing blocks. The project earned a modest but fervent following on early social‑media platforms (VKontakte and LiveJournal) and caught the attention of an underground art collective called Kremlin‑Kitsch.
Encouraged, the pair rented a 45 m² loft on Leninsky Prospekt and, in a moment of playful bureaucracy, registered the space as I 1st Studio Siberian Mouse—the “I 1st” referring to their desire to be the first to bridge the gap between the “Siberian mythos” (embodied by Masha) and “post‑Soviet urbanity” (embodied by Veronika). The mouse, drawn by Masha during a midnight snowstorm, became the studio’s logo, printed on everything from business cards to tote bags.
| Role | Masha Babko | Veronika Babko |
|---|---|---|
| Background | Graduate of VGIK (Moscow Film Institute), specialization in screenwriting & directing. Early work includes award‑winning shorts “Winter’s Whisper” (2021) and “Ice‑Heart” (2022). | Graduate of the Moscow State University of Culture and Arts, major in visual arts & animation. Portfolio includes concept art for “The Last Birch” (2020) and animation sequences for the documentary “Arctic Pulse” (2021). |
| Primary Contributions | • Concept development & screenplay (original story, dialogue, structure).
• Co‑direction – visual storytelling, actor direction, location scouting.
• Production design oversight (set dressing, period‑accurate village details). | • Co‑direction – animation integration, visual effects, color grading.
• Lead animator – design of mouse character, ethereal meadow sequences.
• Art direction – development of folk‑inspired motifs, colour palette, and story‑board visualization. |
| Collaborative Process | The sisters worked in a “dual‑author” model, meeting daily to review scripts, story‑boards, and dailies. Masha focused on narrative pacing and performance, while Veronika refined the visual language and animation timing. Their shared childhood memories of Siberian summers provided an emotional anchor for the film’s tone. |
| Key Achievements | • Selected for the Emerging Voices program at Cannes Short Film Corner (2024).
• Received the Best Director award at the St. Petersburg International Student Film Festival (2022). | • Winner of the Best Animation prize at the Kiev Animation Fest (2023).
• Featured in Animation Magazine’s “Top 10 Rising Artists” (2023). |