Juq909 Balas Dendam Afordisiak Si Janda Tukang Rusuh Sumikawa Mihana Indo18 Top

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4.2 Platform Affordances (The “Affordisian” Lens)

| Affordance | How It Shapes the Narrative | Evidence | |------------|----------------------------|----------| | Anonymity | Allows users to voice extreme revenge fantasies without personal repercussions. | Posts with “I will be the tukang rusuh” signed only as “Anon”. | | Algorithmic Amplification | Trending tags (#balasdendam, #janda) boost visibility, creating feedback loops. | Spike in post engagements after government crackdown news. | | Meme‑Culture | Visual remixing of Sumikawa’s face with horror‑movie filters reinforces villainous image. | 42 % of top‑shared media are meme‑collages. | | Threaded Discussions | Enables long‑form storytelling and community co‑construction of the Sumikawa–Mihana saga. | 18‑post “epic” thread spanning 3 months. | | Cross‑Platform Spillover | Content migrates to TikTok and WhatsApp, widening audience reach. | Hashtag #MihanaChallenge trends on TikTok with 1.2 M views. | Description : Lexical choices

6.1 Implications

• Media Literacy: Educational programs should incorporate critical analysis of revenge‑laden narratives and the symbolic deployment of gendered figures.
• Platform Governance: Algorithms should be transparent regarding amplification of emotionally charged content to mitigate echo‑chamber effects.
• Policy: Legal frameworks need to differentiate between protected speech and incitement to extrajudicial violence while respecting cultural expressions of grief and resistance.

3.3 Analytic Procedure

1. Pre‑processing: Tokenisation, removal of stop‑words (Indonesian and English), and POS tagging.
2. Thematic Coding: NVivo 14 used to identify recurring themes (revenge, loss, resistance).
3. CDA Stages (Fairclough):
   • Description: Lexical choices, metaphors, and intertextuality.
   • Interpretation: Social practices and power relations.
   • Explanation: Ideological underpinnings and macro‑social context.