Jurassic Park - 35mm 1080p Version Cinema Dts Superwide Open Matte
The Jurassic Park 1993 35mm 1080p Cinema DTS Superwide Open Matte is a highly sought-after fan-restoration project that provides a unique viewing experience of Steven Spielberg's 1993 masterpiece. Unlike the standard 1.85:1 theatrical widescreen or the cropped 4:3 fullscreen versions, this release utilizes a scan of an original 35mm film print to reveal visual information previously hidden at the top and bottom of the frame. Core Technical Features
The Ultimate View: Unpacking the Jurassic Park 35mm "Superwide" Open Matte
For cinephiles and Jurassic Park purists, the search for the "perfect" version of the 1993 classic is a never-ending journey. Beyond the standard 4K UHD releases, a niche community has rallied around a specific fan-restoration: the Jurassic Park 35mm 1080p Cinema DTS Superwide Open Matte. What is "Open Matte"?
Most films shot on 35mm aren't naturally "widescreen." Director Steven Spielberg chose to shoot Jurassic Park using the 1.85:1 aspect ratio to emphasize the vertical scale and sheer bulk of the dinosaurs.
In an "Open Matte" version, the black bars (mattes) used to create that widescreen look are removed. This reveals more of the image at the top and bottom of the frame that was captured by the camera but intended to be hidden during theatrical projection. Why This Version is a Big Deal The Jurassic Park 1993 35mm 1080p Cinema DTS
The "Superwide Open Matte" version (often designated as v1.0) is a high-definition scan of an original 35mm theatrical print. It offers a unique look at the film's production:
Theatrical Colors: Unlike some modern digital "remasters" that change color grading, this scan attempts to preserve the authentic theatrical color palette and film grain of the 1993 release.
Unseen Details: Because the matte is "open," you see parts of the frame usually cropped out. This includes extra landscape, but also humorous production "glitches" like visible boom mics at the top of the frame.
Cinema DTS Audio: This version often includes the original DTS (Digital Theater Systems) audio track, providing a sound experience closer to what audiences heard in 1993. Where to Find It? JP35mm v3
4. Known Pitfalls & Myths
| Myth | Reality |
|------|---------|
| “Superwide” is original | No – JP was composed for 2.35:1 (scope) and 1.85:1 (flat). No official 35mm release is wider than 2.35:1. |
| All 35mm prints are open matte | Only flat prints. Scope prints are hard-matted 2.35:1. |
| Cinema DTS is “lossless” | It’s 16-bit 44.1kHz, compressed with APT-X100. Higher dynamic range than AC3, but not lossless. |
| 35mm scan is sharp | It looks like film: grain, softness, scratches. Do not expect 4K Blu-ray clarity. |
2. The Sought-After Sources (as of 2026)
Look for these release names on fan restoration forums (OriginalTrilogy, FanRes, MySpleen – invite only):
- JP35mm v3.0 (or later) – 4K scan of a 1993 35mm print, downsampled to 1080p. DTS audio synced. Open matte (1.85:1).
- JP “Cinema DTS” LaserDisc sync – Audio from the 1993 DTS LaserDisc (6 CDs) muxed to a 1080p open matte video.
- The “Superwide” variant – Usually a hybrid: center from 1.85 open matte, combined with S-VHS or TV broadcast edges. Artificially created. Most purists avoid it.
Real open matte examples (look for these frame differences):
- T-Rex break scene – see more fence top and ground.
- Raptor kitchen – see ceiling lights and floor tiles.
- Brachiosaur reveal – more sky and grass below.
3. Step-by-Step Guide to Assembling (or Watching)
1. What Each Term Actually Means
| Term | What it refers to |
|------|-------------------|
| 35mm | Sourced from a theatrical film print (not a digital master). Usually a 4K scan downsampled to 1080p. |
| 1080p | Presentation resolution. Most fan projects use 1080p for compatibility. |
| Cinema DTS | The original 1993 DTS-6 theatrical audio (CD-ROM based, 5.1 matrixed, higher dynamic range than home releases). |
| Superwide | Wider horizontal framing than the standard 2.35:1. Some 35mm prints show extra image on left/right. |
| Open Matte | Reveals more image top and bottom (originally matted to 1.85:1 or 2.35:1). Common in 35mm flat prints. | Critical setting: Match frame rate (24.000fps
Important: “Superwide Open Matte” is semi-mythical for JP. Most 35mm flat prints are 1.85:1 open matte (more sky/ground), but not wider horizontally. Genuine “superwide” (like 2.00:1 or 2.20:1) is rare and often a fan upscale from multiple sources.
5. Where to Discuss / Find Help
- OriginalTrilogy forums – Jurassic Park preservation thread.
- FanRes (fanres.com) – 35mm scans & sync guides.
- MySpleen (invite only) – Active JP 35mm torrents.
- Internet Archive – Search
Jurassic Park 35mm open matte (some incomplete uploads).
Do not ask for direct download links in public forums – most are private or use “research only” files.
Part 4: How to Acquire and Play This Version
Disclaimer: This article is for educational and archival discussion. Piracy is illegal. The author does not endorse obtaining copyrighted material without ownership. This discussion refers to "fan preservation" of physical media you already own.
If you are determined to find this "Holy Grail," the file usually presents as a single MKV container:
- Video: AVC/H.264 at ~40-60 Mbps (higher bitrate than streaming).
- Audio 1: Cinema DTS 5.1 (Uncompressed WAV or FLAC).
- Audio 2: Optical Dolby SR 2.0 (For historical reference).
To view it correctly, you cannot use a standard TV app.
You need a PC media player (MPC-HC, PotPlayer) or a high-end Nvidia Shield.
- Critical setting: Match frame rate (24.000fps, not 23.976 if it's a true print).
- Critical setting: Disable all motion smoothing. Watch in the dark.
