Mastram Movie 2013 May 2026
Beyond the Myth: Revisiting the Cult Classic "Mastram Movie 2013"
In the landscape of Indian independent cinema, few films have managed to balance the tightrope of social commentary, literary homage, and raw, unfiltered sexuality quite like the Mastram movie 2013. Directed by the prolific Akhilesh Jaiswal, this Hindi-language biographical drama did not just tell a story; it dissected the very nature of desire, censorship, and the hypocrisy of a small-town society. While mainstream Bollywood often shied away from the "adult" tag, Mastram (2013) wore it as a badge of honor, carving out a unique space in the cult annals of Indian film.
For those who missed its initial, relatively quiet release, revisiting the Mastram movie 2013 is not merely about watching a film about a porn writer. It is about understanding the pre-internet era of India—a time when a yellowed, dog-eared paperback could spark more rebellion than a smartphone ever could.
Beyond the Pen Name: Deconstructing the Enigma of Mastram (2013)
In the landscape of early 2010s Hindi cinema, where formulaic romances and action dramas dominated the box office, a small, unconventional film titled Mastram attempted to do something audacious: it sought to put a human face to India’s most infamous literary phantom. Directed by Akhilesh Jaiswal, the 2013 film is not a biopic in the traditional sense, but a speculative, semi-fictionalized origin story of the legendary Hindi pornographic writer whose pen name became a cult phenomenon in the Hindi heartland.
For the uninitiated, "Mastram" was the pseudonym of a writer (widely believed to be a real person, though his identity remains fiercely guarded) who, from the 1980s onwards, churned out hundreds of cheap, pocket-sized pulp novels. These books, filled with graphic, grammatically quirky, and often absurdly imaginative sexual adventures, were sold clandestinely at roadside book stalls in small towns across Uttar Pradesh, Bihar, and Madhya Pradesh. For a generation of young men, Mastram was their secret, illicit window into a world their conservative society forbade them to see.
The film Mastram takes this cultural footnote and attempts to build a narrative around the man behind the myth: Rajaram, a shy, lower-middle-class bank clerk living a mundane existence in a cramped Kanpur colony. Played with nervous energy by the underrated actor Tara-Alisha Berry (in a surprising gender-flip casting choice – Rajaram is played by a female actor, a detail that adds its own layer of meta-commentary on performance and identity), the protagonist is the antithesis of the virile fantasies he creates.
The Core Paradox
The film’s central genius lies in its exploration of contradiction. Rajaram is a timid soul, bullied by his boss, sexually frustrated in his arranged marriage, and struggling to assert his masculinity. His discovery of a stack of English erotica unlocks a latent talent. He begins writing in his native Hindi, using a pen name, and soon the meek clerk transforms into the omnipotent "Mastram"—a god of desire who can orchestrate any fantasy on the crumbling paperbacks.
Director Akhilesh Jaiswal wisely avoids cheap titillation. The sexual content is largely implied, described through Mastram’s own purple prose as voiceover, or depicted with a playful, almost theatrical absurdity. The real story is the psychological split: the terror of the writer who fears his own creation. As Mastram’s popularity explodes—leading to midnight pickups, secret print runs, and a network of shady bookies—Rajaram lives in constant fear of exposure. The film becomes a tense thriller of identity, asking: What happens when your fictional alter ego becomes more real, more powerful, and more desired than you are?
A Portrait of Small-Town Repression
More than just a story about pornography, Mastram is a sharp social commentary on the suffocating morality of small-town India in the pre-liberalization era. The film lovingly—and painfully—recreates the 1980s: the rotary phones, the Ambassador cars, the sweaty, crowded mohallas. It captures a time when desire had no digital outlet, when a stolen, dog-eared paperback was the height of rebellion, and when a man could be ruined by a single rumor.
The supporting characters—from the greedy, hypocritical publisher to the sexually curious neighbor and the wife who suspects but never asks—paint a complete ecosystem of repressed longing. The film suggests that Mastram didn’t create the desire; he merely gave it a language. His readers, from college boys to the local policeman, are complicit in the fantasy, desperate for the escape he provides.
The Verdict: Flawed but Fascinating
Mastram (2013) is not a perfect film. Its low budget shows in uneven production quality and some amateurish performances. The pacing drags in the second half, and the meta-choice of casting a female lead as the male writer, while interesting in theory, often feels distracting rather than illuminating. Some critics found the film too intellectual for a subject that demands visceral rawness, while others felt it sanitized the gritty reality of the porn trade.
However, to dismiss it would be a mistake. Mastram is a rare, courageous film that treats its subject with neither moral judgment nor exploitative glee. It is a film about the power of storytelling, the loneliness of the creator, and the unbridgeable gap between the life we live and the lives we imagine. For anyone interested in India’s underground literary history, the psychology of desire, or the simple joy of a film that dares to be different, Mastram is an essential, if imperfect, artifact. It reminds us that behind every filthy, torn paperback, there was once a person—perhaps shy, perhaps scared, perhaps just a bored clerk named Rajaram—who decided to write the word "sex" and changed his world forever.
The Mastram movie (2013) is a fictionalized Hindi-language biographical drama that explores the life and internal struggles of the anonymous author behind India's most famous erotic pulp fiction. Directed by Akhilesh Jaiswal, who previously co-wrote Gangs of Wasseypur, the film attempts to look beyond the "sleaze" to understand the man who became a household secret in North India during the 80s and 90s. Movie Overview & Plot
Set in a small town, the story follows Rajaram (played by Rahul Bagga), an aspiring literary writer who dreams of making it big in Delhi. After facing repeated rejections from publishers who find his work "too dull," Rajaram is pressured to add "masala" to his stories to make them sell.
The Birth of a Pseudonym: On the advice of a local publisher, Rajaram adopts the pen name "Mastram" and begins writing erotic stories.
Instant Success: His "blue literature" becomes a massive hit, sold at railway stations and roadside shops. However, while the brand Mastram grows famous, Rajaram remains anonymous and uncredited for his success.
The Downfall: The plot thickens as competitors begin using the same brand name, diluting his work. The narrative culminates in a personal crisis when his secret life is exposed to his family, leading to a breakdown of his relationships. Cast and Crew
The film features a cast largely drawn from the National School of Drama (NSD) to maintain a realistic, small-town atmosphere. Director: Akhilesh Jaiswal. Starring: Rahul Bagga as Rajaram/Mastram.
Tara Alisha Berry as Renu (Rajaram's wife), making her Bollywood debut.
Supporting Cast: Kapil Dubey, Vinod Nahardih, Istiyak Khan, and Aakash Dahiya. Producers: Sunil Bohra, Sanjeev Singh Pal, and Ajay Rai. Mastram (2013) - Full cast & crew - IMDb
Movie Review: Mastram (2014)
"Mastram" is a 2014 Indian erotic thriller film directed by T. L. V. Prasad. The movie stars Rahul Aggarwal, Gracy Singh, and Nandini Rai in leading roles. mastram movie 2013
The film revolves around the life of a small-time filmmaker, Shiv Shastri (played by Rahul Aggarwal), who becomes a major figure in the Indian film industry with his explicit content films. However, his newfound success comes with its own set of challenges and controversies.
Key Highlights:
- A bold and unconventional storyline
- Explicit content and mature themes
- A glimpse into the Indian film industry's darker side
- Strong performances from the lead actors
Ratings: 3.5/5
Recommendation: If you're a fan of bold and thought-provoking cinema, "Mastram" might be worth a watch. However, viewer discretion is advised due to the explicit content.
The 2013 film Mastram (released theatrically in 2014) is a fictional biography that explores the life of a reluctant erotica writer in 1980s North India. Directed by Akhilesh Jaiswal—known for co-writing Gangs of Wasseypur—the film attempts to provide a humanizing backstory to the anonymous author whose pulp novels became a cultural phenomenon sold at railway stations and roadside stalls. The Conflict of the Aspiring Literateur
At its core, the movie is about Rajaram (played by Rahul Bagga), a small-town bank clerk with lofty dreams of becoming a respected literary figure. The narrative highlights the tragic irony of a writer who values high art but finds financial success only through "masaledar" (spicy) stories. This internal conflict serves as the film's primary engine: Rajaram views his erotica as a "compromise," a temporary means to an end, while the world only values him for the very work he is ashamed of. Themes of Taboo and Society
The film uses the character of Rajaram to critique societal hypocrisy. While his books are devoured by the public, they remain a "secret" pleasure, forced to the margins of society. This is reflected in Rajaram’s own life, as he hides his profession from his innocent wife, Renu (Tara Alisha Berry), and his family. The movie suggests that the demand for "Mastram" stories was a response to a sexually repressed culture, yet the creator of that outlet must live in constant paranoia and guilt. Narrative and Style Mastram (2013) - IMDb
The 2013 film Mastram is a fictional biography inspired by the anonymous author of popular Hindi pulp fiction and erotic stories sold across North India in the 1980s and 90s. Plot Summary
The story follows Rajaram (played by Rahul Bagga), a simple bank clerk from a small town with high aspirations of becoming a respected literary writer. Despite his hard work, publishers repeatedly reject his "clean" and "boring" manuscripts.
The Turning Point: Facing financial strain and rejection, a publisher named Mr. Purohit suggests Rajaram add some "masala" (spice) to his stories to make them sellable. After a chance encounter with an eccentric village elder who exposes him to the coarser, spicier side of life, Rajaram writes his first erotica story under the pseudonym Mastram.
Success and Secrecy: The "Mastram" books become an overnight sensation, selling out instantly at railway stations and roadside stalls. While Rajaram becomes wealthy, he is forced to live a double life to protect his reputation and hide the truth from his "sati-savitri" (devoted) wife, Renu (Tara Alisha Berry).
The Conflict: Rajaram’s life spirals into paranoia as copycat writers emerge and regulatory pressure on "sleazy" literature grows. His biggest challenge arises when he begins using real-life events—including a perceived betrayal between his friend Mahesh and his wife—as inspiration for his increasingly explicit stories.
The Climax: His secret is eventually exposed to his family, leading to a major rift with Renu. Despite the personal fallout, the brand "Mastram" achieves national success, cementing its place in the history of Indian pulp fiction. Key Production Details Mastram (2013) - Plot - IMDb
The Soundtrack: Undersung Gem
While the visual aspects of the Mastram movie 2013 are discussed heavily, the music is often overlooked. The soundtrack, composed by Gyan Verma, features the haunting "Kaagaz Ki Kashti" (Paper Boat), which symbolizes the fragility of Rajaram’s identity. Unlike the upbeat item songs of 2013 Bollywood, this film’s music is melancholic, using the harmonium and tabla to evoke the dusty alleys of Kanpur.
Critical Reception and Cult Status
Upon release, the Mastram movie 2013 received polarized reviews. Mainstream critics called it "slow" and "preachy for a film about sex." The censorship board (CBFC) demanded several cuts, though the film retained its "Adults Only" certificate.
However, over the last decade, the film has undergone a massive critical reappraisal. It is now regularly listed on "Top 10 Underrated Bollywood Films" lists. Why?
Because time has proven it prescient. In a post-Sacred Games and Mirzapur era, Indian audiences are no longer squeamish about mature content. When viewers revisit the Mastram movie 2013 on streaming platforms (where it eventually found a home), they realize it was not an erotic film. It was a literary film that happened to be about sex.
Ashutosh Rana’s monologue towards the climax—where he defends his writing as "more truthful than the Gita" because it admits desire exists—has become a viral clip among cinephiles.
Why You Should Watch Mastram (2013) in 2025
If you still haven't seen the Mastram Hindi movie 2013, here is why you should:
- It is not what you expect: If you seek titillation, look elsewhere. This film is a tragedy about censorship, poverty, and loneliness.
- Ashutosh Rana’s canvas: You have never seen him this vulnerable and terrifying simultaneously.
- Time capsule: The film perfectly recreates 1990s small-town India—the manual typewriters, the cycle rickshaws, the single-window post offices.
- The dialogue: Lines like "Yeh sirf sex nahi hai, yeh mukt ka vishwas hai" (This isn't just sex, this is the belief of the liberated) are endlessly quotable in film geek circles.
Beyond the Pseudonym: A Deep Dive into the Cult Classic "Mastram Movie 2013"
In the annals of Indian cinema, certain films transcend their budgetary constraints and niche marketing to achieve a unique afterlife—becoming cult classics. One such enigmatic entry is the Mastram movie 2013. Long before the OTT boom normalized adult comedy and biographical dramas, director Akhilesh Jaiswal took a daring plunge into the underbelly of Hindi pulp literature. The film promised to unmask the man behind India’s most famous erotic pen name. But did it succeed? More than a decade later, here is an exhaustive look at the plot, the controversy, and the legacy of the Mastram 2013 film.
The Female Gaze vs. The Male Fantasy
One of the most debated aspects of the Mastram movie 2013 is its treatment of sexuality. Director Akhilesh Jaiswal deliberately shot the "imaginary sequences" (the stories Rajaram writes) in garish, over-saturated tones, while the real-life interactions remained drab and awkward.
Actress Tara Alisha Berry, playing the ambitious writer Neha, is not just a love interest; she is the intellectual superior who manipulates Mastram into producing his darkest work. This dynamic makes the Mastram 2013 film more complex than its poster suggests. It asks: Is the man writing erotika degraded, or is the woman reading it in control?
Beyond the Pen Name: Deconstructing Creativity and Morality in Mastram (2014)
In the landscape of Indian cinema, where mainstream Bollywood often tiptoes around sexuality with coy innuendo and item songs, certain independent films dare to dissect the very underbelly of desire and social hypocrisy. Akhilesh Jaiswal’s Mastram (2014) is one such provocative work. More than just a biographical sketch of a cult Hindi pulp fiction writer, the film is a sharp, unsettling, and surprisingly philosophical inquiry into the nature of creativity, the duality of human existence, and the chasm between public morality and private fantasy. By chronicling the life of a low-level bank clerk who becomes a literary demigod of erotica under a pseudonym, Mastram forces the audience to confront uncomfortable questions about the origins of art and the price of freedom in a repressive society. Beyond the Myth: Revisiting the Cult Classic "Mastram
The film’s central genius lies in its exploration of the dual self. The protagonist, Rajaram, is the epitome of mediocrity and social invisibility. He is a shy, underpaid clerk, a dutiful but emotionally muted husband, and a man utterly powerless in the face of a corrupt and bureaucratic system. Yet, by night, he transforms into "Mastram"—a name that becomes synonymous with raw, unapologetic, and wildly imaginative Hindi erotica. This dichotomy is not presented as a gimmick but as a psychological necessity. The film argues that the most potent creativity often erupts from the deepest wells of suppression. Rajaram does not write because he is a libertine; he writes because his own life is devoid of the passion, agency, and color that he so vividly paints on the page. His pen becomes a weapon of liberation against the grey, oppressive reality of small-town India.
Furthermore, Mastram serves as a biting critique of bourgeois hypocrisy. The film meticulously portrays how the same society that publicly condemns Rajaram’s work as "obscene" and "vulgar" secretly devours it. The copies of his novels are passed under desks, hidden under mattresses, and shared in hushed, conspiratorial tones. From the local shopkeeper to the police officer tasked with arresting him, everyone is a clandestine consumer. Jaiswal masterfully exposes the performative nature of morality, where the condemnation of pornography or erotica is often a theatrical cover for private indulgence. The film does not celebrate this hypocrisy but rather presents it as the fertile ground from which Mastram—the myth—grows. The author becomes a folk hero not in spite of the establishment’s disapproval, but because of it.
However, the film’s most profound layer is its meditation on the tragic, parasitic relationship between an artist and their creation. As Rajaram’s fame as Mastram grows, his own identity begins to erode. He becomes trapped by the very persona he invented. His wife, a symbol of the quiet, unglamorous reality, becomes a stranger to him, while his fictional heroines—projections of his desires—feel more real. The film culminates in a poignant and surreal climax where Rajaram confronts the monster he has created. He cannot simply "stop" writing, because Mastram is no longer a pen name; it is a living entity that has consumed its creator. This is where the film transcends its sensational subject matter to become a universal tragedy about artistic obsession. The writer who sought to escape his boring life ends up imprisoned by a more demanding and ruthless identity.
In conclusion, Mastram is a far more sophisticated film than its pulp origins might suggest. It is a daring character study that uses the lens of erotic literature to explore the fundamental human need for expression and escape. Through the tragic journey of Rajaram, the film exposes the lies of a moralistic society, celebrates the raw, chaotic power of imagination, and ultimately warns of the dangers of losing oneself in a fantasy. It leaves the viewer with an unsettling, unanswered question: Is the author the master of his words, or are the words the master of the man? By refusing to provide easy answers, Mastram cements its status as a courageous and essential piece of independent Indian cinema, one that understands that the most obscene thing in the world is not sex, but the hypocrisy that surrounds it.
The 2013 film , directed by Akhilesh Jaiswal, is a fictionalized biographical drama that explores the life and legacy of the anonymous author behind the iconic "Mastram" erotica novels that dominated North Indian pulp fiction for decades. Rather than focusing solely on the provocative nature of the books, the film serves as a poignant commentary on the struggle of an aspiring writer caught between literary ambition and the crude demands of the commercial market. Plot Summary and Narrative Arc
The story follows Rajaram (played by Rahul Bagga), a mild-mannered man living in the scenic hills of Himachal Pradesh. Rajaram dreams of becoming a serious litterateur, writing profound stories that reflect the human condition. However, his "high-brow" manuscripts are repeatedly rejected by publishers who claim there is no market for such work.
Faced with financial instability and the need to provide for his wife (played by Tara Alisha Berry), Rajaram begins writing under the pseudonym "Mastram." To his surprise—and eventual chagrin—his erotic stories become an overnight sensation. The film tracks his descent into a world of secret success, where he becomes the most-read author in the region while remaining unable to claim his fame or find satisfaction in his craft. Themes and Cinematic Style The Conflict of Artistic Integrity : At its core,
is about the tragedy of a writer who must "sell his soul" to survive. Rajaram views his erotica as a compromise, yet it is the only work that brings him validation from the masses. The Taboo of Desire
: The film delves into the hypocrisy of a society that publicly shuns erotica but privately consumes it in massive quantities. It highlights how Mastram’s books became a rite of passage for young men in small-town India, serving as a primary source of sexual education in a repressed environment. Atmospheric Realism : Director Akhilesh Jaiswal (who co-wrote Gangs of Wasseypur
) employs a raw, realistic aesthetic. The contrast between the pristine, quiet landscapes of the Himalayas and the grimy, bustling printing presses where the books are produced mirrors Rajaram's internal conflict between his pure intentions and his "dirty" reality. Performance and Reception
Rahul Bagga’s portrayal of Rajaram is understated and empathetic, capturing the vulnerability of a man embarrassed by his own talent. Tara Alisha Berry provides a strong supporting performance, representing the domestic stability that Rajaram is desperate to maintain.
Upon its release, the film was noted for its bold subject matter. While it was marketed with a focus on its erotic undertones to draw audiences, critics praised it for being a thoughtful character study rather than a piece of exploitation cinema. It stands as a unique entry in Indian independent cinema for humanizing a figure who was previously only known as a name on a cheap, colorful book cover. Conclusion
is more than a biopic about a pornographer; it is a film about the "death of the author" in a literal and figurative sense. It highlights the irony of a writer whose name is known in every household, yet whose true face and literary aspirations remain forever hidden. The movie remains a significant cultural artifact that examines the intersection of literature, lust, and the harsh realities of the Indian publishing industry. real-life cultural impact of the Mastram books in 1980s India or more details on the director's filming style
The 2013 film Mastram is a fictional biography of the anonymous real-life author known as "Mastram," who became a cult figure in North India during the 1980s and 90s for his popular pulp erotica.
The film follows Rajaram, a modest bank clerk in a small town who dreams of becoming a serious, respected writer. Supported by his innocent wife, Renu, he eventually quits his job to pursue writing full-time. However, he faces constant rejection from publishers who find his stories dull and lacking "masala".
Desperate for success, Rajaram is introduced to the "spicier side of life" by an eccentric village man. He begins writing erotic stories under the pseudonym Mastram, which quickly become best-selling sensations sold at railway stations and roadside stalls. The narrative explores the following:
The Conflict of Identity: While his alter ego "Mastram" achieves massive national fame and wealth, Rajaram remains unknown and frustrated that his serious literary work is still ignored.
Social Hypocrisy: The film highlights the irony of a society that publicly shuns erotica as a taboo while privately consuming it in massive quantities.
A Personal Toll: Rajaram's secret eventually causes turmoil at home. When his friend Mahesh discovers his double life—and finds a story that seems to mirror his own wife's life—he exposes the truth to Rajaram's family. Key Details
Director: Akhilesh Jaiswal (co-writer of Gangs of Wasseypur).
Lead Cast: Rahul Bagga as Rajaram/Mastram and Tara Alisha Berry as Renu.
Style: Despite the subject matter, the film is described as an experimental indie drama that focuses more on the struggles of the writer than graphic content. Mastram (2013) - Plot - IMDb
Mahesh feels that success has gone to Rajaram's head and hence they are not friends anymore. Mastram goes from success to success, A bold and unconventional storyline Explicit content and
Released in (though screened at festivals in is a Hindi-language biographical drama that explores the origins of India’s most famous anonymous pulp-fiction author. Directed by Akhilesh Jaiswal , known for co-writing Gangs of Wasseypur , the film is a "fictional biography" set in the 1980s. The Times of India Core Narrative The story follows (played by Rahul Bagga
), an aspiring litterateur living in Himachal Pradesh. Driven by a dream to become a respected writer, he quits his job as a bank clerk but finds no takers for his serious literary work. The Transition
: Facing rejection and financial strain, Rajaram discovers that adding erotic elements to his stories makes them sell instantly. Birth of an Icon : He adopts the pen name
to protect his identity, turning everyday encounters into sensual fantasies that become a sensation at railway stations and roadside stalls across North India. Internal Conflict
: The film delves into the irony of a man who craves intellectual validation but becomes famous for "sleaze," and the impact this secret life has on his supportive wife, (played by Tara Alisha Berry The Times of India Sleaze writer, clean film - The Times of India
(2013/2014) is an Indian biographical film that explores the life of an aspiring writer who, after facing multiple rejections from traditional publishers, becomes a famous pseudonym for pornographic literature in the 1980s and 90s. Core Premise & Plot
The Struggle: Rajaram (played by Rahul Bagga) is a budding Hindi litterateur in a small North Indian town. Despite his passion, publishers find his serious work uninspired.
The Pivot: Faced with financial pressure and a suggestion to write "masaledar" (spiced up) stories, he begins writing steamy tales under the pen name Mastram.
The Taboo: While the "Mastram" pulp fiction books become massive hits—sold at railway stations and roadside stalls—Rajaram lives a double life, hiding his identity from his "sati-savitri" (traditional) wife, Madhu.
The Conflict: The film delves into the emotional dilemma of a man whose success comes from work he cannot openly claim, highlighting the societal hypocrisy where sex sells but remains a deep taboo. Film Details
Director: Akhilesh Jaiswal (co-writer of Gangs of Wasseypur). Cast: Rahul Bagga as Rajaram/Mastram. Tara Alisha Berry (Debut) as Madhu. Aakash Dahiya in a supporting role.
Setting: Set in the 1980s, the film attempts to capture a realistic, rural small-town feel.
Tone: It is described as a satirical, semi-serious fictional biography that avoids being "C-grade" or overly explicit, focusing instead on the writer's frustration and self-discovery. Reception
Critics: Reviews were mixed; some praised the realistic performances and unique posters (which used silhouettes rather than photos), while others felt the screenplay was slow and confused about whether it wanted to be an emotional drama or "steamy" erotica.
Box Office: The film is categorized as a flop in terms of commercial performance. Related Media
Due to the popularity of the subject, a Mastram TV series was later released (2020) on platforms like MX Player, though it is a separate production from the 2013 film. Mastram (2013) - IMDb
(played by Rahul Bagga), a reluctant writer in 1980s North India who dreams of becoming a serious litterateur. Failing to find success, he begins writing erotic "pulp fiction" under the pseudonym
. The "paper" in this context refers to the low-quality, cheap paper used for these mass-produced books, which were a staple for young men in that era. The Scandalous Publication: A pivotal moment involving a occurs when Rajaram meets a famous actress named
(in the 2020 web series adaptation, though similar themes of identity exposure exist in the film). A photographer captures a photo of them together, and its publication in a newspaper causes major turmoil in his personal life and marriage. Movie Overview Akhilesh Jaiswal (writer of Gangs of Wasseypur
Rahul Bagga (Rajaram/Mastram) and Tara-Alisha Berry (Renu/Madhu)
A clerk's journey into becoming India's most famous anonymous erotica writer Release Year 2013/2014 (filmed in 2013, released May 2014) Note on the 2020 Series: If you are referring to the MX Player web series (2020) also titled
, the "paper" theme remains relevant as each episode is framed as a different "story" he has written on paper, often inspired by people he meets. related to the 2013 movie? Mastram Movie Review 2/5 - The Times of India