
The key to an amazing architecture image is the process! Learn in this course the best workflow for post-production.





We've compiled all the important steps to teach you a workflow. Our goal is to empower you with a non-destructive method in Photoshop, enabling you to confidently work on any type of architectural image
The lessons are designed to be short and easy to follow, with all shortcuts shown on the screen. Lessons range from 5 to 15 minutes, giving you the flexibility to fit them into your busy schedule.
All the models, cutouts, and textures used throughout the course are available for you to download. This way, you can easily follow the lessons with the files on hand.
Once enrolled, enjoy unlimited access to the course. Take your time to complete it and revisit the content whenever you want. Upon completion, receive a certificate as proof of your accomplishment.
Our course is accessible to a global audience with subtitles available in English, Spanish, and Portuguese, ensuring everyone can follow along and learn effectively.
Learn at your own pace with lifetime access to over 2 hours of premium content. This course offers a flexible learning experience, allowing you to revisit modules anytime for a refresher.
This course is centered on Photoshop for architectural post-production, while also covering SketchUp and V-Ray to ensure seamless base render exports for the best results.
Master the process of transforming a raw 3D model into an extraordinary final post-production in Photoshop.
Gain essential knowledge of Sketchup and Vray to export base renders effectively.
Develop a versatile Photoshop workflow that can be applied to any type of post-production.
Learn to work non-destructively in Photoshop, enabling rapid adjustments based on feedback from professors, bosses, or clients.
Discover the most useful shortcuts for an efficient post-production process.
Understand the productivity advantages of using Photoshop over relying solely on a render engine.
Learn how to add cutouts, vegetation, and backgrounds, as well as correcting values and colors using masks, brushes, and other essential tools.
+ a lot more!
Here are the programs that need to be installed on your PC and the knowledge required to make the most out of this course.
If you're still uncertain about whether you should enroll in this course.
You can watch the first lesson here or preview others under the curriculum.
To delve into , the iconic German comic magazine, is to trace the cultural heartbeat of a divided and then reunited nation. Since its debut in December 1955, it has evolved from a socialist "alternative to Mickey Mouse" into the longest-running German comic series in history. The specific ranges you mentioned— Digedags 1–226 Abrafaxe 1–355
—represent the two foundational eras of this "picture-story" (Bildergeschichte) legacy. The Digedags Era: Issues 1–226 (1955–1975)
Created by Hannes Hegen, the Digedags (Dig, Dag, and Digedag) were three goblin-like protagonists who embarked on meticulously researched historical and scientific adventures. Educational Escape:
At a time when East German citizens were largely restricted from international travel, the Digedags provided a window to the world. They journeyed from the Roman Empire to outer space and through the American Wild West. The Runkel Epic:
One of the most beloved arcs is the "Ritter Runkel" series (issues 90–151), a humorous medieval epic set in Italy and the Orient. The Departure:
The era ended in June 1975 after Hegen had a falling out with the state-owned publisher, Junge Welt Mosaik Magazine Digedags Ausgabe 1 226 Abrafaxe 1 355 Pdf
. Because Hegen held the personal copyrights, the characters vanished with him, leaving the magazine to reinvent itself. The Abrafaxe Era: Issues 1–355 (1976–2005)
In January 1976, the Abrafaxe (Abrax, Brabax, and Califax) took over, designed by Lona Rietschel and written by Lothar Dräger. A New Dynamic:
While they looked similar to their predecessors, the Abrafaxe had more distinct personalities: Abrax was the impulsive adventurer, Brabax the intellectual, and Califax the hedonistic cook. Surviving Reunification:
Unlike many East German institutions, the Abrafaxe successfully transitioned to the capitalist market after 1990. The publisher Mosaik Steinchen für Steinchen saved the series from liquidation in 1991. The 355 Milestone:
By issue 355 (around 2005), the Abrafaxe had far surpassed the Digedags in longevity, cementing their place as the permanent faces of the magazine. Why the "PDF" Pursuit Matters To delve into , the iconic German comic
is the longest-running comic book magazine in Germany, uniquely originating in East Germany (GDR) in 1955 and continuing today. It is famous for two distinct eras of protagonists: the The Digedags Era (Issues 1–226) Created by Hannes Hegen, the Digedags— Dig, Dag, and Digedag
—led the magazine from its debut in December 1955 until June 1975. "Dig, Dag, Digedag auf der Jagd nach dem Golde" (Hunting for Gold).
: This marked the end of the original Digedags run in 1975 before the transition to new characters.
: Known for educational adventures across history and science, such as the Roman Series Space Series Inventor Series The Abrafaxe Era (Issues 1–355+) Following Hegen's departure, the Abrax, Brabax, and Califax —took over in January 1976.
Mosaic 226 Digedags Hannes Hegen original booklet ... - eBay Content Breakdown 1
Mosaic 226 Digedags Hannes Hegen original booklet GDR collection original AX 7. ddr-zeitungskiosk (30034). 100% positive feedback.
1. Die Digedags (Ausgabe 226) – The Classic Era
2. Die Abrafaxe (Ausgabe 355) – The Modern Era
The Abrafaxe are the main characters of Mosaik Magazine. They are a group of friends (initially consisting of three main characters) who, through a magical artifact, travel through time. Their adventures take them to various historical and prehistoric settings, where they often find themselves in the midst of significant events. The series is known for its educational approach, aiming to teach readers about history and culture in an entertaining way.